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Colonel Panics (カーネルパニック) is a 2016 Australian-Japanese feature film directed by Cho Jinseok. It has screened at the Yubari International Fantastic Film Festival and the Buenos Aires Rojo Sangre Film Festival.
It has been described by the Asia Times as “spectacularly misogynistic” and a “a cyber giallo-infused ode to legendary Japanese director Nagisa Oshima“. Asian Movie Pulse labelled it a “unique combination of cyberpunk, exploitation, and curio
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Colonel Panics (2016) – Storyline/Plot:
The destinies of two men, one from the future and one from the past, become entwined as a malevolent virus spreads throughout Level 4, a digital gaming experience that blurs dreams and reality.
The film revolves around two men, who seem to be living in different timelines. The first one, Kaito, is living in the present and is a writer for a political magazine with a nationalistic line. Despite his seemingly regular persona of a dedicated employee who occasionally drinks with his friends, he has another, quite dark and perverse one. He keeps stalking Kuniko, an ex-colleague in university he used to have an affair with, who is now a very successful author. Furthermore, he has regular sex sessions with Yumi, a prostitute, where he is dressed in a Japanese military uniform and she is made to act in various, submissive roles, at least when he is not masturbating with a tube-like gadget. Even more than that, he seems to hide a rage in him, which is bound to be released at some point. This moment comes when a colleague declines his invitation to dinner.
Review of Colonel Panics (2016 Film):
The film also features a number of sequences with kaleidoscopic videos, similar to those of screen savers, and a number of datamosh scenes. The editors, Shinichi Fujita and Gregory Fitzsimmons, use these sequences frequently in order to change the setting, in a tactic that works well occasionally, as it signifies that some error is occurring in the VR environment. After a fashion, though, particularly the datamosh effects become a bit tiring, especially in a scene close to the end where they last for quite some time. Fabrice Viel’s music, which moves between electronic and noise, fits the film perfectly, and the same applies to Ugo Derouard’s and Takenori Misawa’s digitalized sound.
Yusuke Miyawaki gives a great performance in a double role as Kaito and Nagisa. The fact that these two characters are radically different, with Kaito being a “loser” who turns into a psychopath, and Nagisa an extremely cool individual, who even has the ability to snob large corporations, make Miyawaki’s accomplishment even more impressive. Gorgeous Tia Tan who plays both the prostitute and the future cyborg does not have many lines, but definitely leaves a lasting impression with her roles. Satomi Hiraguri as Kuniko emits a cold and serious beauty, while her imposing voice works quite well in the scenes she presents her book. Sasa Handa, a former AV idol turned cult actress, plays the office girl that declines Kaito, in genuine exploitation fashion.